I
INTRODUCTION 9
cannot be expected to be as closely alike as two prints similarly made from the same woodcut. They are far from satisfying the shrewd test of the stereoscope, which shows if there has been an alteration even of a letter in two otherwise duplicate pages of print. The measurements vary at different periods, even in the adult, just as much if not more than his height, span, and the lengths of his several limbs. On the other hand, the numerous bifurcations, origins, islands, and enclosures in the ridges that compose the pattern, are proved to be almost beyond change. A comparison is made between the pattern on a finger, and one on a piece of lace ; the latter may be stretched or shrunk as a whole, but the threads of which it is made retain their respective peculiarities. The evidence on which these conclusions are founded is considerable, and almost wholly derived from the collections made by Sir W. Herschel, who most kindly placed them at my disposal. They refer to one or more fingers, and in a few instances to the whole hand, of fifteen different persons. The intervals before and after which the prints were taken, amount in some cases to thirty years. Some of them reach from babyhood to boyhood, some from childhood to youth, some from youth to advanced middle age, one from middle life to incipient old age. These four stages nearly include the whole of the ordinary life of man. I have compared altogether some 700 points of reference in these couplets of impressions, and only found a single instance of discordance, in which a ridge that was
